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Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli--the hero of her favourite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds?
tomatometer=7,9 of 10
I lived just behind the Brazilian embassy on the Piazza Navona. Every evening, I would put on my diskman earphones, listen to Rota's music for these films on my Discman, looking at Fellini's adopted city. I used to pass by the Piazza delle Coppelle to look up at Rota's former apartment. Then I would walk to the Spanish Steps, then the Via Babuino on to the Via Marghuta. There I would pass by an apartment building with a bronze plaque by the door: Giulietta Massina i Federico Fellini, i due Marghutani.
Lo sceicco bianco freeway. A classic Fellini comedy, with all the atmosphere of a carnival that fans expect. Brunella Bovo is lovely, naive, well-meaning, but lead astray by a philandering playboy. Meanwhile, her new husband seems doomed to appear utterly insane to his family who has come to Rome to meet his blushing bride- suddenly disappeared. Charming, funny, what's not to love? Oh, and Guilietta Masina arrives in her role as the kind and sensual Cabiria- icing on the cake! While certainly not the greatest Fellini film on record, it makes for pleasant viewing. Yes, the behavior of the characters is hardly exemplary, but then, would that be entertaining.
Un film di cruda realta' ma che esprime non uno ma mille emozioni. oltre la bravura degli attori, regista e tant'altro. applauso lungo un chilometro va a giulietta masina che era una attrice formidabile. 1 nomination. See more awards » Edit Storyline Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli--the hero of her favourite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds? Written by Nick Riganas Plot Summary | Plot Synopsis Taglines: Incredibly Sweet and Charming Film! See more » Details Release Date: 25 April 1956 (USA) Also Known As: The White Sheik Box Office Cumulative Worldwide Gross: $50, 512 See more on IMDbPro » Company Credits Technical Specs Sound Mix: Mono | Mono (Western Electric Recording) See full technical specs » Did You Know? Trivia This film has a 100% rating based on 11 critic reviews on Rotten Tomatoes. See more » Quotes Cabiria - La prostituta: Why did she take off? Did you beat her? Ivan Cavalli: No. Did you beat her? Cabiria's Friend - La prostituta: Were you a naughty boy? Connections Featured in In Search of Fellini (2017) See more ».
Passer au contenu principal Offres spéciales et liens associés Outlet Anciennes collections, fin de séries, articles commandés en trop grande quantité, … découvrez notre sélection de produits à petits prix Profitez-en! Description du produit NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles. Commentaires client 5 étoiles 100% (100%) 100% 4 étoiles 0% (0%) 0% 3 étoiles 2 étoiles 1 étoile Meilleurs commentaires internationaux Vous souhaitez découvrir plus de produits? Consultez cette page pour voir plus: alberto sordi. Seems that Fellini's movies without Rota's music would be just average.
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Lo sceicco bianco freedom. Oul lalal quel quintet. du TALENT. et quel SON. Bravo j'aime. J'adore. Masterpiece, capolavoro! Potrei guardarlo una volta al giorno. Non mi serve il nuovo cinema. Passo. Grazie. Lo sceicco bianco free software. This banner text can have markup. web books video audio software images ABOUT CONTACT BLOG PROJECTS HELP DONATE JOBS VOLUNTEER PEOPLE Search metadata Search text contents Search TV news captions Search archived web sites Advanced Search upload UPLOAD person SIGN IN Search the history of over 418 billion web pages on the Internet. search Search the Wayback Machine Featured texts All Books All Texts latest This Just In Smithsonian Libraries FEDLINK (US) Genealogy Lincoln Collection Books to Borrow Top American Libraries Canadian Libraries Universal Library Community Texts Project Gutenberg Biodiversity Heritage Library Children's Library Open Library Journal of Economic Education 1969-2015 Books by Language Journal of paediatric dentistry. 1985-1990 Journal of materials engineering. 1979-1991 Journal of Management Studies 1982-2015 Additional Collections Journal of Labor Economics 1983-2011 movies All video Prelinger Archives Democracy Now! Occupy Wall Street TV NSA Clip Library TV News Animation & Cartoons Arts & Music Computers & Technology Cultural & Academic Films Ephemeral Films Movies News & Public Affairs Understanding 9/11 Spirituality & Religion Sports Videos Television Videogame Videos Vlogs Youth Media Community Video audio All audio Grateful Dead Netlabels Old Time Radio 78 RPMs and Cylinder Recordings Live Music Archive Audio Books & Poetry Community Audio Computers & Technology Music, Arts & Culture News & Public Affairs Non-English Audio Spirituality & Religion Librivox Free Audiobook Full Cord Bluegrass Podcasts software All software Old School Emulation MS-DOS Games Historical Software Classic PC Games Software Library Internet Arcade Kodi Archive and Support File Community Software Vintage Software APK MS-DOS CD-ROM Software CD-ROM Software Library Console Living Room Software Sites Tucows Software Library Shareware CD-ROMs Software Capsules Compilation CD-ROM Images ZX Spectrum DOOM Level CD image All images Flickr Commons Occupy Wall Street Flickr Cover Art USGS Maps Metropolitan Museum NASA Images Solar System Collection Ames Research Center Brooklyn Museum Movies Preview favorite Flag this item for Graphic Violence Graphic Sexual Content by ays Topics Fellini's Lo Sceicco Bianco Addeddate 2013-07-10 13:25:15 Ia_orig__runtime 2 minutes 31 seconds Identifier FellinisLoSceiccoBianco Run time 2:31 Sound sound plus-circle Add Review comment Reviews There are no reviews yet. Be the first one to write a review. 1, 075 Views DOWNLOAD OPTIONS download 1 file ITEM TILE download MPEG4 download OGG VIDEO download TORRENT download download 12 Files download 5 Original SHOW ALL IN COLLECTIONS Community Video Uploaded by alirus on July 10, 2013 SIMILAR ITEMS (based on metadata) Terms of Service (last updated 12/31/2014).
Nino Rota il mago dei Cromatismi. Molto felliniano. Lo sceicco bianco free mobile. Music from heaven... YouTube. Quem não viu, assistiu, gostou, riu, chorou em AMARCORD E SE DELEITOU COM A BELA MÚSICA DE NINO ROTA E A DIRECÃO DE FELLINI. Lo sceicco bianco free online. Lo sceicco bianco freestyle.
Venite a visitare il nostro canale. Lo sceicco bianco free. Lo sceicco bianco free web site. April 1969, one saturday at 17 Hrs. aprox. Beautiful Song. Lo sceicco bianco free download. Lo sceicco bianco free web. Lo sceicco bianco free shipping. Mi piace molto questa canzone grazie. This film mesmerizes me. It's one of the most beautifully created works of world cinema. Lo sceicco bianco freelance.
The White Sheik Theatrical release poster Directed by Federico Fellini Produced by Luigi Rovere Screenplay by Federico Fellini Tullio Pinelli Ennio Flaiano Story by Michelangelo Antonioni Federico Fellini Tullio Pinelli Starring Alberto Sordi Leopoldo Trieste Brunella Bovo Giulietta Masina Music by Nino Rota Cinematography Arturo Gallea Edited by Rolando Benedetti Production company American International Pictures Release date 6 September 1952 ( VFF) 20 September 1952 (Italy) 25 April 1956 (USA) Running time 83 minutes Country Italy Language Italian The White Sheik ( Italian: Lo sceicco bianco) is a 1952 Italian romantic comedy film directed by Federico Fellini and starring Alberto Sordi, Leopoldo Trieste, Brunella Bovo and Giulietta Masina. Written by Fellini, Tullio Pinelli, Ennio Flaiano and Michelangelo Antonioni, the film is about a man who brings his new bride to Rome for their honeymoon, to gain an audience with the Pope, and to present his wife to his family. When the young woman sneaks away to find the hero of her romance novels, the man is forced to spend hour after painful hour making excuses to his eager family who want to meet his missing bride.  The White Sheik was filmed on location in Fregene, Rome, Spoleto and Vatican City.  Plot [ edit] Two young newlyweds from a provincial town, Wanda (Brunella Bovo) and Ivan Cavalli ( Leopoldo Trieste), arrive in Rome for their honeymoon. Wanda is obsessed with the "White Sheik" ( Alberto Sordi), the Rudolph Valentino -like hero of a soap opera photo strip and sneaks off to find him, leaving her conventional, petit bourgeois husband in hysterics as he tries to hide his wife's disappearance from his strait-laced relatives who are waiting to go with them to visit the Pope. The plotline was appropriated by Woody Allen in his film To Rome with Love. Cast [ edit] Alberto Sordi as Fernando Rivoli, The White Sheik Leopoldo Trieste as Ivan Cavalli Brunella Bovo as Wanda Giardino Cavalli Giulietta Masina as Cabiria, the prostitute Lilia Landi as Felga, the photonovel's gipsy Ernesto Almirante as Dottore Fortuna, the photonovel's director Fanny Marchiò as Marilena Alba Vellardi Gina Mascetti as Aida Rivoli, the wife of Fernando Ugo Attanasio as Uncle of Ivan  Production [ edit] The White Sheik was Fellini's first solo effort as a director. He had previously co-directed Variety Lights in 1950 with Alberto Lattuada. Originally the treatment for The White Sheik was written by Michelangelo Antonioni.  Carlo Ponti commissioned Fellini and Tullio Pinelli to develop the treatment. It was satirical in nature, targeting the trashy fotoromanzi comic strips that were extremely popular in Italy when the film was made.  The male lead, Leopoldo Trieste, a playwright who did not consider himself an actor, reluctantly auditioned for Fellini. During the audition Fellini asked him to compose a sonnet that the lead character would have written to his wife. The poem which begins "She is graceful, sweet and teeny... " was included in the film.  Appearing briefly as the prostitute Cabiria, Giulietta Masina would later return to this role in Nights of Cabiria. Her short scene inspired Fellini to write the screenplay and also convinced producers that Giulietta was ready for the leading role.  Reception [ edit] Italian film critic Giulio Cesare Castello, writing for Cinema V, argued that Fellini's past as a successful strip cartoonist made him a natural choice as the film's director: "Fellini was undoubtedly the best qualified and for two reasons: firstly, his experience as a strip cartoonist and consequently his familiarity with the secrets and intrigues of the world he was about to bring to the screen; secondly, his gift for sarcastic comment and delight in satirizing tradition... The result is unusual and stimulating but derives more from the failure to establish a basic mood or tone rather than from any direct intention. Fellini should find this tone in future works if he is to avoid the discontinuity we found here. "  Soundtrack [ edit] Nino Rota scored the film. References [ edit] ^ "The White Sheik". Internet Movie Database. Retrieved 21 April 2012. ^ "Filming locations for The White Sheik". Retrieved 21 April 2012. ^ "Full cast and crew for The White Sheik". Retrieved 21 April 2012. ^ Chandler, Charlotte (March 2012). "My Dinners with Federico and Michelangelo". Vanity Fair. Retrieved 16 August 2015. ^ Hancock, Joseph H., Toni Johnson-Woods and Vicki Karaminas (2013). Fashion in Popular Culture: Literature, Media and Contemporary Studies. Chicago: Intellect Books. p. 249. ISBN 1841507164. ^ Trieste, Leopoldo. "Lo Sceicco Bianco - Fellini - Interviste".. Retrieved 16 August 2015. ^ Smith, Geoffrey Nowell (1996). The Companion to Italian Cinema. London: Cassell. p. 79. ISBN 0304341975. ^ Castello's review first published in Cinema V (Milan) December 15, 1952. Cited in Claudio Fava and Aldo Vigano, The Films of Federico Fellini, New York: Citadel Press (1985), p. 65. Further reading [ edit] Aristarco, Guido. Lo sceicco bianco, in: "Cinema Nuovo", n° 1, Novembre 1952. (in Italian) Burke, Frank M. " Variety Lights, The White Sheik, and Italian Neorealism". In Film Criticism, Winter 1978, Volume 3, no. 2, p. 53-66. External links [ edit] The White Sheik on IMDb The White Sheik an essay by Jonathan Rosenbaum at the Criterion Collection.
The music is so great and loveable that it makes me smile. Very enjoyable! Love it! <3. Bravo maestro Rota,bravo. Lo sceicco bianco.
One of the earlier Fellini´s films, Lo Sceicco bianco show some of Fellini´s style: weird characters, bizzare and oniric situations, and abouve all a lot of lirism, showing how beatiful life can be.
The film is an acid comedy about fans and showbiz. A pure fan of printed soap operas met her beloved hero, a kind of Rodolfo Valentim. But the meeting will show her some of the truth about showbiz. Fellini transforms what could be an tragedy in a nice story of redemption.
A great surprise is the participation of Giulietta Massina as Cabíria. Cabíria appears as a common person, not yet as a prostitute, but adds a lot of lirism to film. In my opinion Nights of Cabiria and La Nave Va are the two best of Fellini.
Bună muzică. Having seen most of Federico Fellini's movies, any viewer who not only watches the films but experiences the cinema may draw the conclusion that the director changed his style over the years. In other words, he turned to be more "skeptical" more "knowledgeable" and more "dreamlike." To realize that, we have to consider his earliest films - his honeymoon period - for clearer understanding of the change. The movie that resembles Fellini's freshness most is LO SCEICCO BIANCO. Here, it is hardly the Fellini we know from JULIET OF THE SPIRITS or CITY OF WOMEN. It is a fresh, genuine, young Fellini where some viewers even fail to recognize the director. Nevertheless, if one watches the film more deeply, it is possible to notice something characteristic of Fellini. To make it more clear, let me briefly look at the content first.
A young couple from the provincial part of Italy, Ivan Cavalli (Leopoldo Trieste) and Wanda Giardino Cavalli (Brunella Bovo) come to Rome for their honeymoon. Here, mind you that honeymoon symbolizes not only the mutual freshness, appreciation but also the lack of boredom resulting from routine of life. The honeymoon also appears to be the sort of "illusive prelude" to the everyday. Ivan is very strict, honorable and plans the visit exactly to the very letter with the schedule list which contains introducing of his wife to his noble family, sightseeing of Rome and the climax of the stay: the audience at the pope's. Wanda, however, is more "light hearted" enthusiastically absorbed in arts of 24th May Street and aims rather at adventure than at the formal side of the visit. When they enter the Tre Fiori Hotel, she soon disappears fleeing into the world of her dreams, illusions and fantasies. Will she find the stay at her illusive world of a white sheik (Lo Sceicco Bianco) more comfortable and convincing?
While analyzing the content (not revealing more of it) I think that this is one of the movies where Fellini is mostly HIMSELF. He touches similar themes like in his later movies, including social criticism, formality in relations, dominance, destructive illusions, social discrepancies, and disillusion. Yet, he remains absolutely clear. Criticizing social conventions, he aims at addressing the problem: what should the marital status be like? While discussing dominance, he seems to draw our attention to the different personalities of the couple. Most importantly, however, Fellini develops the destructive effect of illusions, which he would do in many of his later films, paying attention to Wanda's fanatic idolatry and fantasies: real life is a dream." When she enters the 24th May Street and, more strictly, when she meets the white sheik, isn't that Cabiria entering the house of Alberto Lazzari in Fellini 1957 movie? Is the world of art separated from the ordinary world? Had Wanda better just get the autograph and a cigarette as a souvenir and leave in order not to be led into unpleasant disillusion?
But, according to my deeper analysis of the themes, you may falsely conclude that the movie is pretty psychological. In no way! It is a humorous story, witty adventure with moments at which you will rather split your side than reflect. The atmosphere is perfect for ordinary viewers as well as Fellini buffs. It is not a Felliniesque movie but reveals more the characteristics of I VITELLONI, LA STRADA and NIGHTS OF CABIRIA. Moreover, LO SCEICCO BIANCO can boast wonderful cinematography with really well managed images. Concerning wit, the most memorable moments for me were two, in fact. One being Ivan who gets informed where Wanda is and, consequently, his sentence: Dear uncle, the name of Cavalli. ends with "we will meet in the Vatican at 11 o'clock. The other being the final moment when the noble family at last gets to know Wanda, the uncle says "Wanda Carissima. dearest Wanda) and their memorable walk towards St Peter's Basilica. Except for the two, there are many other witty moments that I won't reveal now. You must see the film. As far as camera is concerned, the absolute visual masterwork for me was the first view of the white sheik. We see him illusively, like Wanda regards him. And another strong point to be mentioned here: the wonderful music by Nino Rota, a mainstay in Fellini's films. UNFORGETTABLE!
The performances of the movie constitute the different aspect I'd like to discuss in the separate paragraph. There are many non professionals but it does not reduce the value of the movie. The cast do extraordinary jobs, including the leading couple: Leopoldo Trieste and Brunella Bovo as well as Alberto Sordi in the role of the white sheik and many of the supporting cast. Here, it is important to mention that Fellini had that very significant flair for casting people. But, the most important fact is that we can see Giulietta Masina in LO SCEICCO BIANCO. She biria, different one than a few years later. She appears in one scene but what a terrific performance it is! For me, it was the best scene of the movie. Masina is given very little time on screen in an undeveloped role, yet we all get the clear point of her portrayal and once you see her, you never forget her.
Very good film that I highly recommend anyone to see! To me, it appeared as if a "cinematic honeymoon" period of Fellini, of his skillful direction, of his themes' development and the particular charm that he skipped later. LO SCEICCO BIANCO is what movies have best: entertainment and education. Who was Wanda's white sheik in the end? Don't we also have "white sheiks" in our lives that lead us more often into illusions and, unfortunately, more rarely into disillusions? 9/10.
Coauthor: LO SCEICCO BIANCO